Tag Archives: getting a novel published

Getting a Leg Up: Improving Your Chances of Getting Published

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I’m always searching for ways to improve my chances of getting published. No matter what avenue you pursue getting published is a challenge. Many times it seems more about luck than talent or perseverance, though without staying power the chances of getting published are reduced to zero.

I’ve joined a critique group, taken creative writing classes, read several creative writing books, analyzed commercially successful novels, and am now working toward a Masters in Fiction Writing. All of this done in an effort to polish my work into a piece of writing an agent and then an editor will take on.

wanted lit agentBut even as I do all of this I know my chances are still slim. And before I go off on a bunny trail and start talking about how many poorly written novels end up being bestsellers (readability is one of the most important aspects of successful commercial fiction, not literary finesse), I would love to know what others are doing to improve their chances of getting published.

Currently, there’s the debate of whether or not to pursue an MFA (Masters in Fine Arts) in creative writing. Thousands of people apply each year to get into this program, while each year thousands snub the program. Real fast: an MFA is a terminal graduate degree, usually taking two to three years to complete, that offers students the opportunity to focus on their writing and grow as writers. Students participate in traditional style classes and workshops, where they read and critique other students’ work and where their work is read and critiqued.

One of the best attributes of the MFA is the opportunity to have your work read and critiqued. The program provides you with a community of writers that will give honest and thorough feedback on your writing. Sometimes when you have family or friends read your work, they’ll want to be encouraging, and so will be afraid of truly critiquing your novel. When you’re in a workshop setting, that is not the case. You will get straightforward and truthful feedback, whether you want to hear it or not.

An MFA program also teaches you to read with a critical eye. As I’ve delved deeper into the literary world, I’ve noticed my reading style changing. Whereas I used to read solely for pleasure, now I automatically dissect technique and literary elements within any work of fiction I read. On one hand this is great because I come away with a better understanding of the work I just read. On the other hand, I don’t enjoy books as much as I used to because I can better pick out the inconsistencies, plot holes, flat characters, etc. Though in order to improve as a writer, you have to learn what to avoid when writing, and one of the best ways to learn that is to become a critical reader.

As with all programs, there are downsides to the MFA. One, there’s the cost. Very few programs cover expenses. Most will cost students anywhere from $30,000 to $65,000. That’s a lot of money for a degree that provides little opportunity in the professional world!

There are no guarantees that you’ll get published. You’ll spend thousands of dollars and years of your life focusing on improving your work, and nothing may come of it. One of the most common pieces of advice writers hear is to not quit their day job.

Also, an MFA tends to be literary. If your focus is commercial, it’ll be challenging to get accepted into such a program. The literary world tends to snub the commercial world, while the commercial world doesn’t care all that much for the literary one. As stated earlier, one of the biggest proponents of having a commercially successful novel is readability. I’ve read many novels where the characters are two-dimensional and stereotypical, where the plot is nothing new, and where the writing is average at best, but I’ve come away liking the books because of their readability. (Literary fiction usually doesn’t promote readability to the extent of well-crafted writing.)writer

In the end, what you choose to do to improve your writing will be based on personal preferences, what you can afford, and what other successful writers in your genre have done.

I’m happy with my decision to work toward a Masters in Fiction Writing part time (this is different from an MFA) because it gave me a group of writers and professors – all published – who provide me with feedback for my work and gave me a group of people who understand what it’s like to pursue writing seriously and who know how difficult it is to be successful in the literary world.

No matter what it’s important to read and read widely. Reading books in your genre is vital, but so is reading books outside your genre. Join a critique group, and in doing so be open to (1) putting in the work and (2) being open to criticism. (I recently learned of a critique group where everyone wants their work read and critiqued, but very few want to read and critique anyone else’s work. Reciprocate people!) And when your novel is finished, revise, revise, revise. If you’re not great at editing, consider hiring a professional editor (if you have the funds to do so). Attend writer’s conferences. Immerse yourself in the literary world.

A great article I’ve read recently about the MFA and whether it will give you a leg up in the publishing world is “Why Writers Love to Hate the M.F.A.” It’s worth a look.

How do you improve your chances of getting published? What’s your stance on the MFA?

(Photos courtesy of The BookBaby Blog, The Graduate21, i am CAM Jr!)

Do Your Research. (It’ll save you a headache later on.)

When diving into the world of publishing, it’s important to know what you’re diving into. The publishing world is complex. Agents. Editors. Publicists. Publishing houses. Contracts. Publishers. And more.

And before all of that you’ve got to write your novel.

This is why doing research is vital. Research before, during, and after writing your book. Continue researching even after you’ve been published. Stay up to date on what’s happening.

There are three main types of research you should do when involved with the literary world:

  1. Your book. When you get an idea for a novel, it doesn’t matter whether it’s fiction or not, you need to get the facts straight. As an avid reader, one of my biggest issues is reading a book where I know the author did absolutely no research. If half the teenage protagonist’s house gets burned down, the mother and police won’t just shrug their shoulders and leave the teenager alone (without having done any investigating), especially when she tells them that she has no idea why so-and-so tried to burn the house down with her in it. Not to mention having no idea what a normal high school day is like. (Please, if you’re writing YA and have a high school in your novel, know what the typical teenage schedule is like. Even if you’re writing fantasy and school is only a small portion of it, teachers will not make fun of a teenage girl when she comes up and tells them that a guy is making her very uncomfortable.)
  2. Your competition. Know the books that are similar to yours, or at least share the same category. You want to know why certain books were successful and why others weren’t. More importantly, you want to be able to communicate to agents and editors why your book will succeed despite what’s already published.
  3. Agents and Editors. The Internet has made access to information much easier. It’s also allowed for an influx of information that can be overwhelming. However, you want to know which agents and editors would be interested in your novel. If your book is an adult fantasy, you don’t want to waste your time querying an agent who only represents YA contemporary. You can also find information on when certain agents and editors will be at writing conferences. Go to those conferences. Meet those agents and editors. Give them a face and a name to remember. (In a good way only. If they remember you as the creepy stalker, who trailed them for the entire conference without saying a word, they will most likely not represent you.)

Creating lists of agents and editors, and documents for your book research and on your competition will help you to keep everything organized.

Bottom line: By doing thorough research, you will save yourself time and a headache. Plus, you’ll know what you’re talking about when you do get that call from an agent.

What kind of research do you do?