Ka-Pow! Writing Action Scenes in Novels

Think back to some of the most exciting scenes in novels you’ve read. Most of those scenes probably have a lot of tension and include some sort of action. I can think of Harry Potter facing off with Voldemort, Katniss with the tracker jackers, sword fighting in The Princess Bride, the Battle of the Hornburg (aka Battle of Helm’s Deep) from The Lord of the Rings, Fight Club, etc.

Kapow

What is it about these scenes that make them memorable? Why are they successful?

  1. They are fast-paced.

A quick pace makes for heightened tension…and readers flipping through pages because they want to know what’s happening. Just make sure you don’t move so fast that readers get lost. You want your characters, and the plot, to move forward. Sometimes you want there to be chaos – for instance, if you’re writing a war scene with soldiers and explosions – but you want an organized chaos. You, as the author, need to know what’s going on at all times, even if your characters don’t.

  1. They advance the plot.

Action scenes can and should provide vital pieces of information, whether it’s about the protagonist or the antagonist. They should move the plot forward. If an action scene doesn’t serve a purpose, why is it in the book? To just show how cool the protagonist is? That’s not a very good reason on its own. However, too much information becomes extraneous, can slow down the pace, and clog up the action. During action scenes concentrate on the main characters, their senses, emotions, and movements, and the new piece(s) of information.

  1. The protagonist is forced to take decisive action/make quick decisions.

Whenever the protagonist is forced to make decisions based on instinct rather than logical analysis, the tension ratchets up. Instinctual responses, such as fight or flight, create faster responses, quicker pacing, and can produce unexpected consequences (both good and/or bad). By having unexpected consequences as a result of an action scene, drama is increased.

  1. They have an underdog.

UnderdogHave you ever seen a wrestling match? It’s pretty boring. Whenever you have two or more evenly matched opponents the stakes aren’t high enough for the action scene. There needs to be an underdog, and that underdog must find a way to rise above the odds and win. If the underdog (most likely your protagonist) is fighting to stay alive, to save another’s life, for freedom, or for some other purpose, then readers have someone to root for. More than that, readers have someone they want to root for.

  1. Characters are revealed.

How the protagonist fights, whether he chooses to fight or not, etc. shows readers a lot about the protagonist. You know the old saying of actions speak louder than words? It applies here. Your protagonist might be a black belt or have served in the military, but may choose to not fight. Knowing that the protagonist could seriously injure the opponent, but chooses not to says a lot about that character. Same goes for someone who would rather mind her own business, but then sees an injustice occurring and can’t let it go.

When a character is forced to make quick decisions, his true personality comes out. This is because he doesn’t have time to think about what he should show the world. He doesn’t think about what he wants to show the world. He just acts.

Bottom line: think about what you’re saying/showing about your characters through their actions.

  1. The fighting/action is unique.

I read a novel a while ago where within the first five chapters there were two action scenes. However, they were nearly identical, and both ended with the same result. It was repetitive and unnecessary. When you have action scenes, make them unique. Each scene should have a different outcome. Make each fight/action scene (because fight and action scenes aren’t always once and the same) special. You want readers to remember each action scene. If they can’t, then you need to go back and make sure each conflict is solved in a different manner.

  1. The scene(s) can be visualized and felt.

fraser1Give a close in view of the fight. Does the protagonist hear her jacket being ripped? Does she taste blood in her mouth? Is there a crack of a bone breaking? What’s going on her head? Providing both external and internal images and feelings allow readers to experience the action along with the protagonist. Plus, by keeping a close in view (think of it as pulling a camera in close) you heighten tension. The protagonist may not know what happened to her partner or the person she’s trying to protect. There may be so many attackers or so much going on that she can’t see more than a few feet in any direction.

Something to watch out for is balance. Action scenes are great. They’re necessary in stories, but they must be balanced out by other scenes. If there are too many action scenes, or if the action scene stretches on too long, readers will skim the scene in order to find out what happens.

For clarity in action scenes, why not try blocking them out? Use your friends and/or family. Have them each take on the role of a character and stage them in a room or backyard. Move them around as you would actors or chess pieces. This will help you visualize the scene and will allow you to hear input from your friends/family about whether or not they think a character’s movements are realistic.

Remember each character, no matter how small of a role they play, have motivations, dreams, fears, and goals. Their movements, especially in tension-filled action scenes reflect all those things.

What’s the most important part of an action scene to you?

(Photos courtesy of Yellow Hall StudioJeremy Epstein, and Reeling.)

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4 thoughts on “Ka-Pow! Writing Action Scenes in Novels

  1. Sarah Kay Moll

    Excellent guidelines! Does there *have* to be an underdog, though? And does the underdog have to win? Sometimes I love a character that’s really good at what they do. Like say, a military character taking down someone he/she can handle, and the dilemma is whether or not to let that person live.

    Reply
    1. brittanyekrueger Post author

      That’s a really interesting point. I think that a character can be really good at something…take, for example, a character who’s practiced Krav Maga for a decade. He’s a expert at it. He may be able to defeat multiple opponents at once, and he may be facing a situation he can handle, except for that other shoe. Things get more exciting when there’s more at stake. The character’s life is a big stake, but adding in something that puts him at a disadvantage adds to the tension. Perhaps he’s trying to protect a child. In a way, that makes him an underdog because now he can’t simply focus on getting himself out alive. He has to protect the child, make sure the child survives.

      Strictly speaking, there doesn’t have to be an underdog, but it’s easier for readers to sympathize with someone who has a long shot at winning. Sticking with an example from the post, Katniss Everdeen is an underdog. However, she’s phenomenal with a bow and arrow, is intelligent, has moral and ethical codes, puts herself in harm’s way to protect others, and is all about actions speaking louder than words. She ends up becoming the face of a revolution, a hero readers want and will to root for. More than that, she’s a character that readers feel for.

      Reply

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